Monday, 14 December 2015

A WALK AMONG TOMBESTONES title sequence

A walk amongst tombstones opening

 

The inter title sequence for this film comes into play as this man begins walking down some stairs to see the person he has just shot. On the first step we are shown the production company for the film which is 'Exclusive Media'.

 The choice of font is a very simple type of font which doesn't present any link to the genre of the film which is unusual. The way in which each title appears and vanishes is at a very slow, calming and steady pace. This matches the manner in which the man is going down the stairs. The way each title comes and goes may also be a connotation to the pace of this film; I say this because, the non diegetic music is a slow burning gradual tension build type of tune. The shot of the man going down the stairs remains as it is and hasn't changed and all current indications from this opening inter title sequence point towards the type of film which keeps the viewer thinking picking up the crumbs the film leaves behind throughout the story.


 After introducing us to all three companies responsible for. We're then shown the leading actors name 'Liam Neeson' and the title of the film. The title is introduced as Liam is at a mid shot level which presents the leading character and the film title together which heightens the significance of of this moment in the scene.

 There's then a change in shot to an extreme close up on the face of a blonde haired women who appears to be being tortured. There are then multiple extreme close up shots as an in-depth picture is slowly un-veiled to show a the sexual harassment and torture of a lady who soon begins to cry. There's an all white and bright background which could deceive viewers into thinking they're watching a happy scene, until they look closer . Whilst all of this happens, there are inter titles of production crew member names which are presented in the previously mentioned, standard, entry and exit format (slow vanish in, slow vanish out), as well as the same font.

Monday, 7 December 2015

Questionnaire for film treatment

The reasoning behind why I'm doing a questionnaire and focus group for my film is because, before I fully commit to starting anything, I want to know where the concept for my film stands with my selected target audience. It will be useful to gain some critical and constructive feedback from them, as well as a general idea of what is good and what could use some improving. It will also be useful to know where I may need to expand on some ideas, as well as shorten or rethink others. Either way, feed back should prove really useful in making my film the best it can be.


1) Does this film appeal to you?
yes        No


2) What particular genre of films do you find most engaging?


3) What was your first impression after reading the treatment?


4) Would you pay to watch this film?


5) Do you feel drug genre'd films are overused?


6) What do you expect/ hope to see come out of this movie? i.e a lot of action, violence, emotion etc.


7) What aspect of the treatment made you most excited to watch the film?


8) Is there anything in particular that you weren't so keen on in the treatment?



Wednesday, 2 December 2015

Film Treatment (Visionaries and Mortal Men)


Convicted Mob boss, Tyson Gates, is released after five years of being in jail. Having been released; his empire of drug and weapon trafficking has slowly withered to nothing- leaving him with just his long time best friend/ brother Slim. In the cut throat world of the 'streets', honour amongst thieves is never expected, but if there is one rule that everybody know's; it's that you don't snitch and expect to keep your life. A small time player in the drug world, Collin Bills (AKA Trigger), found his way to running the streets with a ruthless reign after having baited Tyson which, in turn, lead to his conviction.

Within in the five years of Tyson's imprisonment, Collin is now a better version of what Tyson was in his prime. All of Tyson's crew either left him to join Collin, or were killed by Collin. Tyson's family were forced into hiding, with no money, and now the name of former mob boss Tyson Gates is nothing more than a myth within the streets of London. However all myths take shape from a source of truth- and Tyson is finally out of prison and here to show these mortal men and traitors just how quickly life can be stripped from them just as five years of his life as well as his empire was taken from him. Tyson's one man vendetta against the streets he once called home will erupt into a war fit only for one survivor and Tyson would sooner die than not see his enemy's fall, his vision come to light, and his family thriving once again.

The vision Tyson held becomes blurry when the loyalty of those he trusted most is called into question. Within a few minutes of life out of prison, Tyson's instincts save his life when he foils a ploy to end him before he's even spent an hour beyond prison walls. With Collin's actions holding clear intent to kill Tyson, the notion of kill or be killed becomes inevitable as trusting anyone is nothing more than a liability.

Expect blood shed, gun shots, violence and heart ache as we plunge into the most ruthless regions of society and embark on a full blown battle in the concrete jungle of London for the title of 'King'. The un-raveling plot will reveal there was more to Tyson's imprisonment than just Collin snitching; and the question will come into play of 'is having money, power, respect and an empire really worth it if you are alone at the end of it?'  Follow the resurrection of Tyson Gates; as he carries hell up with him and dumps it on the streets of London in hopes to never be forgotten again. This is the story of Visionaries and Mortal Men.

Friday, 27 November 2015

Skyfall Textual Analysis


Media Language:


We begin the shot in seeing a long shot of a narrow hall way, and the silhouette of James Bond as he walks towards the camera in a very broad shouldered and masculine way. As he walks in to the shot and he becomes fully visible, the director makes it so that his body fades out of the light of the shot however a lining of light makes his eyes visible to the audience, from a close up distance- to show the characters intensity and focus.




The non diegetic music begin to pick up pace and tension as we him raise a gun and cautiously approach a room. Having entered the room and seen multiple dead bodies, it becomes apparent that the action is looming by the growing ambiance of non diegetic sound growing in volume and tempo by the second. Bond then approaches a new outdoor environment and the non diegetic music come in to a more upbeat chorus for which we see packed roads filled with pedestrians, cars and narrow roads. The director also uses an engaging rule of third shot which is an effective use of camera work and Mise-en scene.


 There is a specific lighting which is presented as the sun, which sets an almost Arabic or Eastern European atmosphere to the scene setting alongside the Arabian genred music playing in the background. We see a synchronised blend of both diegetic and non diegetic sound, as the music sets a calming yet upbeat pace to the scene, and the visuals in having the car Bond is in smash over multiple stools adds to create an engaging and action based combination of diegetic sound of a roaring car smashing over stands and stools, and a Arabian tune which sets the location and atmosphere of where the scene is taking place. As a gun fight commences, the music subsides and the scene is flooded by multiple diegetic noises which range from police motor bikes skidding off the road and smashing stools, to gun fires blazing and the screams of citizens as the try to escape with their lives.


 During a bike chase, the director uses a rule of third shot to depict both the Mise- en scene, alongside the the intensity of the car chase and the beautiful scenery. The non-diegetic has once again picked back up but now it is no longer Arabian, but instead just general high intensity music to further show the importance and building climax throughout this clip in the scene. The editing also goes to show the an effective collaboration of shot-to shot action clips, along side 180 degree rule whilst characters conversed.

Representation:

Although the opening scene consists of mainly action based sequences. The director still effectively shows a general depiction of characters through facial expressions, body language and dialogue. We see that James Bond is a very cool and level headed character, who does his best work off of impulse and the adrenaline of the moment. As you would expect of a spy, he's very quick to think on his feet as shown when he used a Crain to link up with the other train which the person he was pursuing was on. The MI6 personnel are also shown to focus on completing the mission they're set above all else as shown when Bond left his fellow agent who was bleeding out on a chair on his own with a towel (even though he was reluctant to do it). A major aspect to the Bond franchise of films is the classy British voices held by the character's whom are spies. In having characters speak in that very distinct manner presents a commonly perceived stereotype which suggests that all British people are very posh and charming which, of course, isn't an accurate portrayal. The location of which the opening was in Istanbul, Turkey, and it presented a very accurate portrayal of the countries most monumental buildings, and also an accurate representation of the street life within the city. The use of music added to the culture of the selected setting and further reinforced the authenticity of the media construction established within this opening scene by the director.

Audience:

The benefit of Bond films is that they hold a longstanding fan base formed from decades back. As a result, the film sells its self. However the general audience for a film like this would be people who love a high intensity action packed film, with violence, glimpses of romance and a constantly un-raveling plot filled with mystery and suspense. All of this on top of the cool and collected Bond with his notorious bow ties and his choice for "whisky shaken- not stirred" adds to the ever growing fan base and franchise for this box office film.


Genre:

The film itself is an action and thriller genre'd movie with a good use of violence and dramatic aspects. A common generic convention for any Bond film is a beautiful lady that he finds himself involved with for a time being. However the film communicates is action sequences within the bounds of its classic James Bond theme tune, alongside a strong use of explosions and in depth commitment to a strong set location to make the viewing process all the more enjoyable.

Narrative:

The film doesn't follow the traditional concept of Todorov's which has an introduction where: everything is fine- problem occurs- multiple means to rectify problem are attempted- solution to problem is found- then a conclusion of peacefulness is used to end.  Instead, There's and action packed introduction- Then a showing of peaceful times- Then a problem occurs- action being taken to rectify problem- failure to rectify situation- solution being found- peaceful times are found again.

Institution:

The film had a budget of $150-$200 million and grossed $1.09 billion. Its production company Eon production company and the film was distributed by Metro- Goldyn Mayer and Columbia Pictured. The film was highly successful and grossed the most money a film from Sony Pictures ever has, and it grossed the second most in all of 2012.



Monday, 23 November 2015

Plan to develop a film title

Useful Website:

http://www.chrisjonesblog.com/2011/07/top-ten-tips-for-titling-your-movie.html

This website proved very helpful, because it explained the fundamental 'general rules' associated with establishing a good movie title. The list of 10 rules was helpful in seeing a basic set of guidelines to follow, and as a result, I was able to narrow down a top 15 set of ideas, and I ranked them all from 1-15 (1 being my favourite, 15 being my least favourite) on how I rated them. But this list is still very likely to expand or change over time.

Potential Ideas:

Best served Cold (4)

Only God Forgives (10)

Only Good Men go to heaven (3)

Iron Fist (5)

Fire with Fire (7)

Death is too Kind (15)

Ring of Fire (8)

Check Mate (13)

Try Me (9)

Visionaries and Mortal Men. (Top Candidate)

Hell Hath no Fury (11)

The Immortal (2)

I am The Law (14)

Serpents Fall At the hand of God (6)

Hand of God (12)

Thursday, 19 November 2015

Inception (opening scene) textual analysis

Introduction:

The film 'Inception' is a large box office film of 2010 and I chose this film because it is one of my favourite films. The film is one of my favourites because of the quality acting, and the continuous plot twists and the high thrill and tension it brings forward to the screen.

Media Language:

The opening shot presents a mid shot of waves crashing over each other. The lighting is very bright and calming which presents a conception of peaceful times. However the director uses a looming non-digetic sound to cover over the entire shot, which creates a very slow build of tension and expectation towards something significant happening. The next shot presents close up of a bruised a battered man who has been washed up on the shore. The close up choice of shot is effective because it allows us to see the raw emotions on his face. We come to see a look of both confusion and desperation (to survive). The confusion is soon explained in the next shot which presents two children playing with sand- both male and female children. The whole direction of the peacefulness previously presented shifts, as we see a mid shot off the body of the man washed up on the shore, and later see a large gun being held and pointed over his back. From here there is a drop in the non-diegetic sounding, which shows the audience that problematic circumstances are arising. In the change of location, we see a very civilised changing of location.



This use of mise-en scene presents the notion of viewers witnessing perhaps a wealthy and powerful character who is about to be introduced. The talking of a foreign language causes viewers to focus harder on what they are viewing, but the use of subtitles makes it accessible and less intimidating since we aren't left completely un aware to what is going on. The director is able to effectively slow down the pace of the entire scene through the slow, ominous, powerful (yet fragile) voice of the old man, who proceeds to then question man and figure out his intentions The non-diegetic sounding starts once again, and the audience are left on edge, trying to anticipate what's going to happen and, hoping not to be taken by surprise by anything which may abruptly happen during the growing tension through dialogue.

Representation:

Through the characters we are introduced to,  we are able to see that each characters motive is still very questionable, and who are supposed to recognise as the protagonist and antagonist comes under consideration for the viewer as well. With the man who washes up on the shore, we begin to sympathise with his situation and feel a feeling of trust towards him due to the lighting he is presented to us in. The director exploits his resources to present this character in a trusting way, but we also want to know what has happened to him. The bright filter and the calming waves show him in a positive way, and his later facial expression shows an aspect innocence, in the sense he's in pain and confused. We are lead to wonder if he is hallucinating since we see children, and this is later confirmed when when the men with guns appear.

The old Chinese man speaks in a slow and cynical manner which presents him in a villainous fashion.   As he proceeds to speak, the ominous non-diegetic sounds begins to slowly creep back in which adds further tension to the audience member's feelings surrounding this character. The use of a foreign language adds a subconscious lack of trust for audience members due to the lack of familiarity with it. There's also the stereotypical use of specific Chinese lanterns, which presents the idea to audience members that they're outside of safe territory.


We are then shown a flash back to almost a complete makeover for both characters. We see the man who was washed up previously, now as a respectable man who is trying to pitch an important idea to a much younger version of the old man we have just seen as well. This gives the audience members a better understanding into the dynamics between the two men, and also escalates their current situation, into one with equal footing, since the washed up man looks strong, comfortable and level headed- and the old man now looks, powerful, firm and decisive.



Audience:

The main target audience for this type of film will be an audience who relishes in mystery and thrill. The audience will need enjoy the challenge of keeping up with the pace of the film, and thinking on their feet, as well having their own interpretations on what is going on at certain points. They will need to also be patient, and allow for the film to un-ravel its layers as well as grasp each character's past and their reasoning for doing what it is that they're doing. All of this along side the fact that the film has Leonardo DiCaprio as its star; alongside Joseph Gordon Levitt and Tom Hardy is all the more reason to watch this film as well. Audience members for this type of film will be 15 years old and above.

Genre:

The genre for this film is a range of action, thriller, adventure and mystery. The high usage of guns, violence and explosions (later on in the film) highly promote the action aspect to the film. The adventure stems from the mind wandering they conduct, as well as the depths they will go through (and to) to get what they desire. The thriller is shown through suspense they generate in patient build ups, and the high stakes, within, the plot, they face when it comes down to succeeding in their task. The mystery stems from all of the in depth characters within the film, alongside their backstory's, and why they are doing what they are doing. The film is very patient in revealing certain character story's which is why it was so effective.

Narrative:

The theory of Todorov can be applied since the script is linear and follows the basic construction of: everything is fine- problem occurs- multiple means to rectify problem are attempted- solution to problem is found- then a conclusion of peacefulness is used to end.

Institution:

The media text was produced by Legendary pictures and Syncopy inc. Both of these are two highly successful production companies. Especially Legendary which is responsible for multiple highly successful films. The film was then distributed by Warner Bros studios. The film was a huge success and received extremely positive responses. The film had a budget of $160 million and grossed a total of $825.5 million revenue. Which means they generated a total of $665.5 million in profit. This was by all means a large box office movie and its actors, director and screenwriter all found a lot of individual success as a result of this film.